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Each Anamorphic/i prime sports both a hardened PL mount and a cable connection that use Cooke's /i Technology to transmit lens data to compatible cameras. Lens setting data including focal length, aperture, focus, and depth-of-field, are provided in both feet and metric measurements. The 50mm Anamorphic/i Prime Lens features a 22" minimum focus distance, focus marks in feet and meters, a relatively light weight of 7.9 pounds, and a compact length of 7.7". The lens is constructed with 0.8-mod geared focus and iris rings for use with follow focus, zoom control, and wireless F/I/Z systems. A large lens barrel, an increased number of focus marks, and Cooke's cam-style focus movement enable precise focus pulls. Focus marks are clearly visible and are engraved on the lens barrel in both feet and meters.
This features the classic, natural yet sharp "Cooke look" in an anamorphic format. One of 's extensive Anamorphic/i series, the 50mm prime incorporates an 11-blade iris for cinematic-looking, 2:1 oval bokeh. Designed for use with both digital cinema and film cameras, the Cooke Anamorphic/i primes provide a 2x squeeze, and cover image formats up to Super 35. For maximum optical performance, aberration, flare, and distortion correction extends over the entire image area, and throughout the 50mm's T2.3-22 aperture range. The Anamorphic/i primes are color-matched with Cooke's S4/i, 5/i, and mini S4/i series of prime lenses.
People that rent this lens tends to rent it in a set with the Cooke 25mm Anamorphic.