Designed for the digital cinema market, the Leica 15mm T2.0 Summicron-C PL Mount Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses.

The 15mm focal length is a common choice for a wide angle lens in the Super 35 format as it provides a strong wide-angle effect without extreme distortion. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front,weight, and length is standard across most Summicron-C lenses.

Designed for the digital cinema market, the Leica Summicron-C 18mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 18mm focal length is a common choice for a wide angle lens in the Super 35 format as it provides a strong wide-angle effect without extreme distortion. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 21mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 21mm focal length is less common to the Super 35 format; however, it provides a smaller jump in focal lengths when choosing between the 25mm and the 18mm, providing you with more creative wide-angle options. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 25mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 25mm focal length is a wide lens for this format, and it can be useful when shooting in tight spaces. The 25mm focal length is commonly chosen to be a part of standard lens packages. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 29mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 29mm focal length is a wider than "normal" lens for this format, providing a "wide feel" to your image. This can be useful when shooting in tight spaces. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 35mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 35mm focal length is considered a slightly wide lens, allowing you to capture more image around your subject without significant distortion. This can be useful when shooting in tight spaces, or for when you want a wider vista without drawing attention to the nature of the lens. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 40mm Lens (C- for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 40mm focal length is considered a wide normal lens, roughly approximating the perspective of human vision, just a little bit wider. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 50mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 50mm focal length is considered a normal lens, roughly approximating the perspective of human vision. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 75mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 75mm focal length is considered on the long side, providing pleasing close-ups without extreme compression of the background. The small size of the lens makes it suitable not only for regular production, but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 18mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 100mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 100mm focal length is about twice that of a "normal" lens. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Designed for the digital cinema market, the Leica Summicron-C 135mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 135mm is a long lens that compresses the image bringing the background closer to the foreground providing the appearance of a more shallow depth of field compared to wider lenses. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35. The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.